Christianity: Details about 'Last Judgment'
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In Christian eschatology, the Last Judgment or Judgement Day is the ethical-judicial trial, judgment, and punishment/reward of individual humans (assignment to heaven or to hell) by a divine tribunal (God) at the end of time, following the destruction of humans' present earthly existence. Some Christians say that God does not judge, since He finds "all to be precious". This eschatology has spawned numerous artistic depictions. The equivalent in Islamic eschatology is Qiyama. Jewish eschatology is concerned with the Jewish Messiah.
SourcesThe doctrine and iconographic features of a "Last Judgment" are drawn from many passages from the apocalyptic books of the Bible. It appears most directly in the Apocalyptic sections of the Book of Matthew:
The doctrine is further supported by passages in Daniel, Isaiah and the Revelation of Saint John the Divine:
Adherents of millennialism, mostly Protestant Christians, regard the two passages as describing separate events: the "sheep and goats" judgment will determine the final status of those persons alive at the end of the Tribulation, and the "great white throne" judgment will be the final condemnation of the unrighteous dead at the end of all time, after the end of the world and before the beginning of the eternal period described in the final two chapters of Revelation. CatholicismBelief in final judgment is held firmly by the Roman Catholic Church and its followers. The Roman Catholic Church believes this last judgement is not a literal trial. Those who have already died are either in Hell, Heaven, or awaiting Heaven in Purgatory. The last judgement is the resurrection of the dead, and the reuniting of the body and soul. Jesus will then cast the deceased into Eternal Life (Heaven) or Eternal death (Hell). Artistic RepresentationsIn art, the Last Judgment is a common theme in medieval and renaissance religious iconography. Like most early iconographic innovations, its origins stem from Byzantium. In Western Christianity, it is often the subject depicted on the central tympanum of medieval cathedrals and churches, or as the central section of a triptych, flanked by depictions of heaven and hell to the left and right, respectively (heaven being to the viewer's left, but to the Christ figure's right). The most famous Renaissance depiction is Michelangelo Buonarroti's in the Sistine Chapel. Included in this is his self portrait, as St. Bartholomew's flayed skin. See also
Jüngstes Gericht Juicio Final יום הדין Dag des oordeels 最後の審判 Sąd Ostateczny Juízo Final Страшный суд Domedagen 最后的审判
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